Monday, October 16, 2017
You may believe that your chances of selling your MG novel to a publisher are contingent upon how well you tell a story. You may be convinced that seeing your book on the shelves at Barnes & Noble will only come about if you create unforgettable characters. You may have been told one hundred times that the originality of your voice will determine the destiny of your novel. All this may indeed be true. However, there is another factor that is just as important and is often overlooked. That is your ability to handle rejection and not give up.
Nowhere is this more true than in the arduous process of finding an agent.
Every year, from Maine to California, thousands of writers give up the hope of finding an agent after receiving one or two rejections. These writers have dedicated years of their lives and made innumerable sacrifices in order to complete a novel which they then abandon after a couple of agents pass on the book. Please keep this in mind:
IF ONE OR TWO AGENTS REJECT YOUR NOVEL IT MEANS ABSOLUTELY NOTHING!
If twelve agents reject your manuscript, that's a different story. If they all say the same thing, for example, that the story takes too long to get going, then it is your best interest to heed their advice and revise the book.
Tragically, many writers are so devastated by rejection, they tuck the manuscript in the closet. There it will sit for years or forever.
Do not let this happen to you.
If you know in your heart that your book has merit and other people whose opinions you respect have told you the same thing, then keep on submitting it to agents.
If you have a manuscript in the closet, it is speaking to you right now.
Heed the muffled cries of a manuscript buried under three cardigans and a powder blue scarf. Here is what your book is saying. "Let me out. Let me out. I know I'm good enough. Have faith in me. I have the power to inspire children. I'm ten times better than that other crap that's out there. I'm amazing. Ok, Maybe I'm not perfect. Maybe I run a bit long. Maybe I'm overweight by twenty or thirty pages. You can trim that flab around my tummy.
I'm not afraid to do literary sit-ups. Come on. Let's work together!"
Listen to your manuscript. Have faith in the wisdom of the words.
Thursday, October 12, 2017
I hope that third grade was not as horrible for anyone reading this post as it was for me. When I was in third grade, there was one girl who was considered “the boss.” I’m not sure how she came into this position, but the position was respected to the point that this one girl (one girl!) made a list every morning and the rest of the girls in our class adhered to it.
The title of the list was: “Who I’m Playing with Today.”
The list was passed around for EVERY girl to check for her name. And if your name wasn’t on that list, then P—, “the boss,” wasn’t playing with you (or even acknowledging your existence) that day.
Obviously, P— was the most popular girl in class, and she had a group of favorites who ALWAYS made the list. I, unfortunately, was not one of her favorites. As a matter of fact, I rarely made the list. Sadly, one day rather than an inclusion list, P— passed around an exclusion list. It read:
Who I’m Playing with Today:
Everybody except Linda Williams
Ouch! That stung! When the list got passed around, I noticed the look of shock on all the girls’ faces. They knew that I was not to be spoken to or even acknowledged that day. But there were two girls, Tammy and Yolanda, who were bold enough to ignore the list. And they both came to my desk and said, “We’ll play with you, Linda.”
I was happy to at least have two real friends, but it hurt, nonetheless, to be the sole exclusion from “The List” and to be the one girl who almost NEVER made “The List.”
What the heck am I trying to say with all this?
Before I became a published author, I didn’t pay much attention to all the “Best of” lists. But once my little book made a list, I started to notice these lists more. I started to click every time a link to a new list appeared. When I didn’t see my book listed, I would begin to feel a tad bit sad. That’s when memories of third grade came flooding back to me. Who are these people making the lists? Um, mostly our peers—peers who, at some point, have been deemed the experts in defining the “Best of” lists.
Sure, these lists have value, and it’s an honor for the author when his/her book makes one. But there are SO MANY GREAT BOOKS published each year that will never make the “Best of” lists. Remember Tammy and Yolanda, the two girls who played with me on Exclusion Day? They saw value in me even if P— didn’t. And those books that never make any “Best of” lists? Guess what VERY important list they made? A publisher’s list! Yep, that’s right. An editor saw value in that author’s words and said, “Hey, we’d like to publish this.” After which, they invested their own time and money into turning that author’s words into a bound book (or e-book) for others to read. Now, isn’t that the most wonderful of all lists? And if you are a published author who is reading this, please remember that your book did indeed make “The List.” It made your publisher’s list. It made your fans’ lists. So let’s all be like Tammy and Yolanda. Let’s try our darnedest to ignore the lists and celebrate the joy of writing and reading!
Can I get an amen?
Thursday, October 5, 2017
As middle grade writers, we find joy in putting ourselves into the young characters we write about. One way I love to do this is re-visit pictures of myself as a kid.
I stare at them, sifting through specific memories connected to that photo. What was I excited about? What did I most want? What made me sad? What made me happy? What was my biggest worry?
Then I journal in that moment, bringing in all the details on the edge of that photo and just out of reach. Often the details outside the picture are the ones that tell the story of that photo.
Bethel Woods Campground, Holderness, New Hampshire, 1978
Every day I dream about getting my first dog. I imagine she is so real that when I come home from school I run to meet her (her name will be Beauty after Black Beauty). But not yet…so while I wait, I keep busy roaming the campground we own.
It’s fun to wear my strap-on roller skates and hunt the woods for dead butterflies and shotgun shells. They make cool noise makers when you put them in old coffee cans.
I'm lucky because there are always kids here to play with and swim with at the pool (awesome for an only child like me!).
I especially love to hang out in the recreation hall and play pinball machines and records on the juke box. My favorite song is Escape by Rupert Holmes. I asked Dad what a Pina Colada is and he said it’s like a party in a glass for grownups.
Each morning as I pick rotten apples in the orchard to feed our fat hogs, I get to pretend I’m my favorite hero, Laura Ingalls from Little House in the Big Woods. Mom says we’ll even be butchering the hogs soon – just like Laura did!
Mom wants to make head cheese Like Mrs. Ingalls did (ewww!) but I want to blow up the pig’s bladder like a balloon and roast its tail over the fire, just like Laura did. Little House on the Prairie is my favorite show and sometimes I even pretend that Mr. Ingalls is my dad.
After hog feeding time, I get to gather the eggs in the chicken coop. Today I found a double yolk egg without a shell. It was see-through and wobbly just like a Weeble. Although, I think it would fall down if I wobbled it.
Tomorrow is dump day. I get to collect the trash with Dad from all the campsites (we even saw a bear last week!). It’s a totally smelly chore but the best part is that I get to stand up in the back of our 1965 Ford truck and hang onto the wood sides as we cruise to the dump. Wheeee! It’s almost as fun as snowmobiling on the camp trails in winter.
If I help Dad out good, he even promised to take me fishing on Squam Lake this weekend to use my new tackle box. I caught my first pike there last month. Dad almost crashed the boat up on the rocks just so I could reel it in!
|Heading out fishing with Dad and friends, in his Boston Whaler|
Well, time to go practice my after-dinner show for Mom and Dad. I’m singing and dancing to The Wonderful Thing About Tiggers and On The Good Ship Lollipop on my record player. I even made my own sailor and Tigger costumes (I’m a blue fuzzy Tigger in my one-piece footed pj’s, Dad’s striped tie for a tail, and Mom's wig).
Oh, and there’s a big thunderstorm coming tonight so I plan to sleep on the screened-in porch and watch the lightning all night long (just don't tell Mom, okay?)
Being nine is the best. Getting a dog would make it even better.
|Me and Beauty's son, Windsor. I got to pick him out from her litter.|
Monday, October 2, 2017
A few years ago a friend invited me to Lake Tahoe, and while I was swimming in that cold water, I learned a lesson about kindness and audiences that I've never forgotten. Here's the story:
I went up to Tahoe to lose my hair. Really! I had just started chemo, and it was the end of the summer, and the experienced oncology nurses had pointed at a date on the calendar and said, "Hair should start coming out about then." My attitude was a mixture of horror and curiosity. I had never had all my hair fall out before! My friend Linda (who had been through this sort of thing herself) said, "Anne, come stay with us up at Tahoe. It'll be a great place to lose your hair!"
And she was right. It was healing, after all the first-round-of-chemo nausea, to be up in a place where the air felt practically newborn, it was so crisp and clear. And to be able to go walking in mountains and under lovely trees! And to have someone around whose attitude was as crisp and refreshing as the air: "Okay, Anne!" she said every morning. "Making progress? How's that hair coming along?"
And every day I took my battle-scarred, strange-looking, hair-shedding self down to the dock to swim (euphemism for "jump in, paddle about for a second, and climb back out") in the cold, bracing, wonderful water of Lake Tahoe. It was wonderful!
And then one afternoon, I went down to the dock, and there were other people on it. Not just "other people": a group of teenagers, all boys. For a moment I froze. Perhaps you can understand: I had had a lot of surgery, not that long before. My swimsuit fit very strangely, and there were scars showing, and there was that weird lump that was the chemo port, and--and of course I was losing my hair. My head looked like it had just lost several big fights with an angry cat.
Well, I saw all those boys on the dock, and part of me was suddenly in 7th grade all over again--just wanting to take this battered body and obviously balding head of mine and hide. But I also didn't want to miss my dip into the magic water! So I forced myself to be brave--to march down that dock like I belonged there--to whip off my fleece and step onto the ladder, ignoring what I assumed were the staring, possibly mocking eyes of my audience--
and then one of those very scary people spoke out, just as I reached for the ladder (he was older than the others--it turned out I hadn't looked at them very closely). And what he said was,
"You know what, my wife did this, what you're doing now. Their mother did this. Seven years ago now." He made a funny little sound in his throat and added, "I just wanted you to know--she's doing really well now. Their mother."
And I looked up at them, finally, and saw what I had missed by not really looking before: not judgment, but kindness. Not some scary imagined other ("teenage boys"!), but human beings. (Then of course I couldn't see much at all, because of tears followed promptly by lake water!)
I learned something on that dock, and it occurs to me now that what I learned can be phrased in terms of writers and readers, books and audiences.
Let me count the ways:
1. When a book goes out into the world, it is exciting and frightening, both at once. It can feel like all your secret scars are going out on parade. It is as scary as walking out onto a crowded dock when your hair is coming out in clumps.
2. Fear makes us bad readers--in particular, bad readers of our audience. Here's a bit of irony: I misjudged these people because I was so clamped up in my own anxiety that they might be judging me. When we write, it is our solemn duty to be less afraid. We have to open up for our audiences, whoever they may turn out to be. Almost certainly they are more complicated and more human than we may think at first.
3. Our readers carry many stories in them. That is amazing and something a writer can't forget. Our stories reach out to theirs. All of these things are wonderfully plural, too: the stories people carry inside them; the stories they are ready or need or long to hear.
4. And finally, that father did what a good writer does: he told me a story that touched my heart and opened the world to me so that I saw it in a different way. A good story tells us that life may be hard, but we are not alone. It must have taken courage to speak up, in the face of all my determined shyness. But what a gift his story was! Let's all be as brave in our story-telling as that father was that day.
|Under this hat, progress toward baldness was being made!|
Thursday, September 28, 2017
For those who are not familiar with my trilogy, the Young Inventors Guild books take place at the turn of the last century. They engage intention and images of the early 1900s and have been embraced by the steampunk genre. The books have been included in lists of steampunk literature, I have spoken on steampunk panels, and been invited to sign books at steampunk conventions. I even contributed to an academic book on neo-Victorian literature. I love it! I will continue to love it and participate. It is a pleasure having books that are part of the steampunk movement.
However, my newest book is not. The book was inspired by a private tour of the Egyptian museum by my dear friend and world-famous Egyptologist, Salima Ikram. She is truly brilliant and amazing and unique. I imagined what it would be like to have her as a mother, just as she began to regale us on methods of mummification. Could get sticky if you were, say, an adolescent boy and she was explaining this in front of your friends. So Salima and I embarked on an adventure together, creating Fun Things to Do with Dead Animals.
And the book is decidedly modern. And ancient. The protagonist is the son of a famous Egyptologist, a scientist who makes her son’s life a balance between amazing adventures and a series of horrific embarrassments. These characters are contemporary people working in an ancient world. Not steampunk. How does that make me feel?
It will be strange to step out from under my trilby and goggles and participate in events that do not include a steampunk aesthetic. But I am excited for this very silly book and a chance to spend time with Salima. I get to learn about ancient Egypt and modern Egyptology.
As we find ourselves writing in a neighborhood, either YA, MG, steampunk, mystery…it is sometimes hard to imagine ourselves anywhere else. But it is good to explore. It is never good to get too comfortable and complacent. Even if what we write does not end up out in the world, stretching the limits of our sensibilities can only strengthen our sense of style and what we most love to write.
I urge you all to explore and experiment. Does this mean an end to steampunk for me? Absolutely not. There is so much of the past I am ready to bring into my future.
Monday, September 25, 2017
There is no denying that the writer’s life can be one of ups and downs. Having the provisions to go the distance, to weather the hard knocks and enjoy the triumphs, takes a variety of resources. One of my go-to resources is podcasts. I can listen to them when I’m driving, cleaning, cooking, or walking; they fill my brain and keep me motivated and stimulated. I’m going to share a few of my favorites today—sustenance for the writing journey!
What It Is: Co-hosts S. Jae-Jones (JJ) and Kelly Van Sant talk about the writing life/publishing world in a way that covers both the practicalities as well as the lofty ideals of craft. Topics on this informative and fun podcast range from Q&As about social media and queries to craft-based, deep conversations such as “Archetypes: Redemption and Revenge."
What I Like About It: I love the range. Sometimes I want nitty-gritty lay of the land about publishing, and sometimes I want intellectual conversations on story structure or tropes or characterization. This podcast has it all. I confess I could listen to JJ’s voice all day long, and these two women make their listeners truly feel like part of the conversation.
What It Is: “Plotcasters produces a new podcast by author David Macinnis Gill. David teaches writing at the Vermont College of Fine Arts, where he shares craft techniques for writing novels, short stories, non-fiction, and works specifically for children. He’s developed a story construction method called the Sticky Note Plot that he’s sharing in the first few episodes. Later, the podcast will become a mix of short craft lessons on storytelling and interviews with other authors about their techniques.”
Why I Like It: I love structure, and I love getting into detail on the strategies and systems writers use when structuring novels. This one is full of great particulars and tactics on plot. A total craft course!
What it is: “The brainchild of publishing professional Jenn Baker, MiP is a podcast discussing diversity (or lack thereof) in the book publishing industry with other professionals working in-house as well as authors and those in the literary scene. Podcast available on iTunes & Google Play.”
What I Like About It:
A look at this year’s statistics about diversity in published children’s books demonstrates the long-standing and urgent need for more diversity in our field. Listening to MiP allows me to learn and keep current on this very pressing and critical conversation in our field. Jenn Baker interviews authors, editors, agents, design people and more in this informative and wide-ranging podcast.
What It Is: “Literary Agent Jennifer Laughran and her friends dish about the world of Children's Publishing.”
What I Like About It: Jennifer conducts her interviews with ease and humor. In each one, I feel like she is giving me the “real deal” of whatever topic is being covered that week, from what to expect at a writers conference to what a publicist does, to word lengths in various genres. Jennifer’s guests include authors, agents, editors and publicists, and I come away with new understandings each time I listen.
There are so many wonderful podcasts out there for children's book creators and professionals... what are your favorites?